…That makes me want to walk away from writing. Yeeps.
Two different worlds? Unlike Harlequin and the RWA, Thomas Nelson and ACFW have generated no conflict between them that I’ve heard of; Mike Hyatt’s received a fair bit of praise on his blog’s announcement of the TN vanity press, which has assumed the WestBow imprint.

Is it sharky, this vanity business? Or just the evolution of the industry? People seem pretty happy with Thomas Nelson, overall, which speaks to Mr. Hyatt’s name/brand trust. On the other hand, some of the commenters are well-researched enough to pick up on the cost-benefit realities for writers.
One of the harsh facts of the e-pub revolution, for publishers, is that those who use e-pub and true self-pub wisely (repeat, wisely) aren’t usually too worried about large-house brand leverage. They’re prepared to contend on their own merit, sink or swim. At least two people have brought up The Shack as an example of a book that doesn’t need big-name help–it is a big name on its own.
I see a lot of hopeful Christian writers who appear at least potentially willing to shell out cash in order to fulfill the mission of their spiritual message. But if the message is never received for a variety of reasons, is the mission a success? In a world where POD/small house models seem to have better chances of survival, what do we consider “message received”?
What options are open to writers and publishers in a world of long tails, the digital product, and market fragmentation? Rachelle Gardner points out that exclusivity used to be a mark of value. Long, long ago, in a galaxy far, far away, Jane Austen and Charles Dickens and other long-lived names were not faced with editors and publishers who put out 500 unique titles a year and rejected thousands more. Perhaps traditional exclusivity was killed by volume some time ago.
Thoughts welcome.
